It’s a pleasant Sunday afternoon in the world, which means it’s time for your weekend box office updates! While this was a disappointing weekend overall for a handful of new releases, there’s good news to be had: after a disappointing $144 million total gross last weekend, the box office bounced back to $187 million total over the past few days. That takes some of the pressure off Wonder Woman to, you know, save the summer blockbuster as we know it. Here’s the totals as of Sunday afternoon:
One of the odd concerns of opening your cinematic universe with two of its biggest crossover events — Batman v Superman: Dawn of Justice and Justice League — is deciding where to place the standalone movies. Take Wonder Woman, for example. Rather than move forward in the modern era, Wonder Woman circled back to World War I to introduce the character of Diana Prince and her family history. Do you do the same thing with movies like Aquaman and Flash? Walk audiences through their origin stories and get to know some of the supporting characters in their universe? Or do you move forward after the events of Justice League and pick people up along the way?
Even by its normally prestigious standards, this was a pretty exciting year for the Cannes Film Festival. Surprise selections, an atypically fun jury, and countless debates about Netflix and the future of film exhibition all combined to make headlines all around the world. Oh, and there were also a handful of the most highly anticipated films of 2017 receiving serious recognition from the festival. You know, no big deal.
What if I told you that there was another Star Wars universe very different from the one you know? In this universe, Han Solo doesn’t sound like Harrison Ford and Darth Vader doesn’t sound like James Earl Jones. Here, Princess Leia is played by a Broadway star instead of Carrie Fisher. And Luke Skywalker and C-3PO ... well, actually, those parts are still played by Mark Hamill and Anthony Daniels. Some things are just multiversal constants.
Throughout the years, the one constant in the Terminator franchise has been Arnold Schwarzenegger. Even after director James Cameron quit the franchise, Schwarzenegger kept on chugging along, appearing in Terminator 3: Rise of the Machine, Terminator Genisys, and even having his likeness pop up in Terminator Salvation while he was still the governor of California. So with the news that James Cameron would be taking the helm of the franchise again after Genisys flopped, fans have been wondering if the actor had one last showing in him as everyone’s favorite compassionate death machine.
Hold onto your (well-toned) butts, ladies and gentlemen, because Zac Efron’s career is about to kick into high gear. After a few years spent as a teenage heartthrob — and a few more years spent revamping his image in movies like Neighbors and Baywatch as everyone’s favorite ‘sex idiot’ — it looks like Efron is gearing up to pivot yet-again into the dramatic stage of his career. What type of dramatic turn, you ask? A troubled artist? A struggling musician? You’re close! How about infamous serial killer Ted Bundy?
Now that’s how you celebrate Mother’s Day. Earlier today, filmmaker Darren Aronofsky shared the first poster for mother!, his new horror/thriller featuring Jennifer Lawrence and Javier Bardem. With an angelic expression on Lawerence’s face in the above excerpt, you might be forgiven for thinking that this poster is a kind and gentle teaser for a movie that is more creepy than graphic. Well, by all means, don’t let me stop you from scrolling down to reveal the full horrifying artwork on the mother! poster below.
Since Dennis Miller hosted the very first MTV Movie Awards back in 1992, the music channel’s annual award ceremony has been something of a fun dalliance into a world where the artistic merit of a movie is less important than its popular clout. This year marks a couple of big changes for the format: not only did the award show change its official name — it is now known as the MTV Movie & TV Awards — it also has become arguably the most inclusive award show to date, honoring titles like Moonlight, Get Out, and Jane the Virgin alongside its stalwart categories like Best Kiss and Best Villain.
Cinephiles have film festivals, and audiophiles have music festivals, and never the twain shall meet. At least that was the case until Hans Zimmer took the Coachella Music Festival by storm twice in the last month. Just about a week ago, we shared the first video released by Coachella, a live performance of Zimmer’s soundtrack from Interstellar. And now the festival has followed up with a second performance, this time of Zimmer’s score for The Dark Knight (via Heroic Hollywood). If you’ve ever wanted to watch one of your favorite film composers shred like a rock star, well, here’s your chance (at least until John Williams decides to shock us all with his Mad Max: Fury Road-esque guitar gimp suit).
Dystopian cinema is all the rage right now. Not only is the release of Hulu’s The Handmaid’s Tale only a few days away, we were also recently treated to a series of synchronized screenings of 1984, the film adaptation of George Orwell’s seminal novel. While some may view this as a collective piece of cinematic snark, plenty of others are using these projects as an opportunity to open the door for increased education and awareness about media literacy, politics, and art. And while HBO may only really be interested in art and politics, it is putting one foot firmly in the dystopian game, announcing an upcoming production of Ray Bradbury’s Farenheit 451.
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